欧洲的某个地方
影片信息
- 状态：已完结
- 主演：Artúr/Somlay/Miklós/Gábor/Zsuzsa/Bánki/
- 导演：Radványi/Géza/
- 年份：1948
- 地区：其它
- 类型：剧情/
- 时长：内详
- 上映：未知
- 语言：其它
- 更新：2025-04-18 13:43
- 简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
- 2294
-
关注公众号观影不迷路
-
扫一扫用手机访问
网友评分
0次评分
扫一扫用手机访问
剧情简介
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
为你推荐
换一换-
已完结小财神/德惠他宝哥/十三姨/
-
已完结刘北辰/樊俊航/孙晔/孟祥龙/谢添天/杜松子/夏磊/时音/筱筝/张杰/
-
HD国语李晓东/
-
已完结未知
-
HD中字未知
-
已完结堺雅人/香川照之/广末凉子/荒川良良/森口瑶子/
-
已完结彭禺厶/雷濛/杜冯羽容/
-
已完结Orestes/Amador/Ramón/Emilio/Candelario/Carlota/Carretero/Jose/Cruz/Gilberto/Hernández/Jean/Jean/Aleja/Johnson/Fernando/De/Jesús/Mejía/Mario/Nunez/Cape/Ramírez/Manuel/Raposo/Judith/Rodriguez/Perez/Merionne/Toussaint/Karina/Valdez/Keunis/Álvarez/
-
HD中字Brayan/Santamarià/Carlos/Fernando/Pérez/Alejandra/Borrero/Santiago/Martínez/Sofía/Rivas/Mónica/Bustamante/Santaigo/Martínez/Germán/Quintero/Jacinta/Ruiz/Adriana/Santos/
-
HD国语祖峰/秦海璐/周政杰/冯雷/邵兵/何熙维/衣云鹤/
-
HD林家栋/杨乐文/吴廷烨/伍咏诗/陈湛文/李任燊/
-
HD梁朝伟/刘德华/蔡卓妍/任达华/方中信/陈家乐/白只/姜皓文/太保/钱嘉乐/袁咏仪/周家怡/岑珈其/李靖筠/
-
已完结柳小海/张昊玥/朱铁和/王洪千/
-
HD国语于运河/于福慧/王刚/
-
HD马德奥·范·德·格里恩/露丝·哈弗科特/Thijs/Boermans/路易·塔拉普/马塞尔·亨瑟玛/Admir/Sehovic/Roosmarijn/van/der/Hoek/福克琳·欧沃凯尔克/Soufiane/Moussouli/Emmanuel/Ohene/Boafo/Ahlaam/Teghadouini/Eric/Corton/Jolanda/van/den/Berg/
-
HD金亨奎/许智媛/金秀敏/
-
HD国语马以/李梅/曹俊/
-
HD国语费德里科·伊帕迪/罗伯托·贝尼尼/罗科·帕帕莱奥/马西莫·切可里尼/玛丽恩·瓦科特/吉吉·普罗耶蒂/阿利达·巴尔达里·卡拉布里亚/阿莱西奥·迪·多梅尼卡尼奥/达维德·马洛塔/保罗·格拉齐西/马西米利亚诺·加洛/詹弗兰科·加洛/特科·切里奥/尼诺‧斯卡迪纳/毛里齐奥·隆巴迪/纪尧姆·德洛内/吉格欧·莫拉/马尔切洛·丰特/玛丽亚·皮亚·蒂莫/
-
HD国语王辉/张勇/单薇/孙文雪/
-
HD罗伯特·杜瓦尔/凡妮莎·肖/马丁·辛/卢克·威尔逊/韦恩·奈特/特里特·威廉斯/卡尔森·扬/凯莉·弗莱/扎克·罗斯/莱恩·加里逊/露西·浮士德/雅库布·洛弗兰德/斯科特·黑兹/娜塔莎·巴塞特/朗·怀特/拉里·派恩/希斯·弗里曼//杰克·奥斯汀·沃克/鲁斯特·麦康纳/加文·沃伦/萨普莱·巴里纳/迈克尔·格霍尔克/
-
已完结娜奥米·沃茨/本·斯蒂勒/玛丽亚·迪齐亚/亚当·霍罗维茨/马修·马希尔/彼得·雅柔/亚当·德赖弗/阿曼达·塞弗里德/德丽·海明威/布拉迪·科贝特/
-
已完结布拉德·皮特/安吉丽娜·朱莉/梅拉尼·罗兰/梅尔维尔·珀波/尼尔斯·阿贺斯图普/理查德·波林热/
-
已完结克里斯汀·斯科特·托马斯/艾尔莎·泽贝斯坦/塞尔奇·哈赛纳维奇/洛朗·格雷维尔/弗雷德里克·皮耶罗/
-
已完结佐莎·马梅特/丹尼·德维托/格蕾塔·葛韦格/艾伦·伯斯汀/朱莉·德尔佩/基南·卡尔金/查理·塔汉/崔西·莱茨/戴文·德鲁伊/崔·杰拉尔德/迈克尔·詹姆斯·肖/科特·图尔顿/萨马拉·查卡拉蒂/
-
已完结于震/葛天/柴园乐/辛月/李彧/张恒瑞/张璐瑶/
-
已完结托米·艾荣恩/韦萨·维耶里科/Jussi/Nikkilä/Martti/Suosalo/亚尼·沃拉宁/Leena/Pöysti/
-
已完结德克·博加德/爱德华·福克斯/肖恩·康纳利/沃尔夫冈·普莱斯/保罗·马克斯韦尔/瑞安·奥尼尔/吉恩·哈克曼/杰拉尔·德西姆/哈特穆特·贝克尔/杰瑞米·坎普/唐纳德·皮克林/史蒂芬·摩尔/迈克尔·凯恩/迈克尔·伯恩/安东尼·霍普金斯/尼古拉斯·坎贝尔/詹姆斯·肯恩/科林·法雷尔/艾伦·阿姆斯特朗/勒克斯·范·德尔登/马克西米连·谢尔/哈迪·克鲁格/西恩·马提亚斯/丽芙·乌曼/埃利奥特·古尔德/Michael/Wolf/Tim/Beekman/Tom/van/Beek/Bertus/Botterman/Hen/
-
已完结默罕默德·阿米尔·纳吉/法拉赫阿米尔·哈什米安/巴哈丽·西迪奇/纳菲丝·贾法-穆罕默迪/费雷什特·萨拉班迪/Dariush/Mokhtari/克里斯托弗·马利基/
-
已完结阿德里娅娜·阿斯蒂/朱利安·贝尔托/让-克洛德·布里亚利/阿道弗·切利/保罗·弗朗克尔/迈克尔·朗斯代尔/皮埃尔·马格隆/弗朗索瓦·麦斯特/埃莱娜·佩德里埃/米歇尔·皮科利/克洛德·皮埃普吕/让·雷谢夫/贝尔纳·维尔莱/米莱娜·伍柯迪克/莫尼卡·维蒂/帕斯卡勒·奥德雷/菲利普·布里戈德/Philippe/Brizard/阿涅丝·卡普里/让·尚皮恩/雅克·德巴里/保罗·勒·佩尔松/皮埃尔·拉里/阿里克斯·马赫/Maxence/Mailfort/穆尼/贝尔纳·米松/Marc/Mazza/马塞尔·佩雷斯/玛丽-/
-
已完结未知
最新资讯
更多-
IMAX GT 银幕成为“顶流”，影院将迎来新机电影资讯1小时前
-
《封神2》出品公司辟谣：亏损8亿系不实言论！电影资讯1小时前
-
原创 郑恺的39岁生日，让人看到了娱乐圈的“人走茶凉”综艺资讯1小时前
-
江苏卫视《种地吧3》陈小春张智霖搭蚕架 林更新呼兰徐志胜种树到天黑综艺资讯1小时前
-
原创 错失多少女主梦？阚清子揭秘选角潜规则，男主角甚至拥有决定权电视剧资讯1小时前