关于在短时间内的某几个人的经过
影片信息
- 状态：已完结
- 主演：未知
- 导演：居伊·德波/
- 年份：1959
- 地区：法国
- 类型：剧情/
- 时长：内详
- 上映：未知
- 语言：法语
- 更新：2025-04-17 20:57
- 简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts. These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves. Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished. Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives. Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production. The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation. Our camera has captured for you a few aspects of a provisional microsociety. The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning. This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them. The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued... Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...� Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations. Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality. On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time. Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom. Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive. Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language. Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever. The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns. What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality. Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations. Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep. Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world. Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past. Voice 2 Years, like a single instant prolonged to this point, come to an end. Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it. Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being kept Voice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything. Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time. Voice 1 Really hard to drink more. Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot. Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed. Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need. The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life. To really describe this era it would no doubt be necessary to show many other things. But what would be the point Better to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories. 1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
- 1397
-
关注公众号观影不迷路
-
扫一扫用手机访问
网友评分
0次评分
扫一扫用手机访问
剧情简介
Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts. These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves. Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished. Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives. Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production. The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation. Our camera has captured for you a few aspects of a provisional microsociety. The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning. This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them. The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued... Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...� Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations. Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality. On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time. Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom. Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive. Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language. Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever. The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns. What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality. Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations. Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep. Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world. Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past. Voice 2 Years, like a single instant prolonged to this point, come to an end. Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it. Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being kept Voice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything. Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time. Voice 1 Really hard to drink more. Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot. Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed. Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need. The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life. To really describe this era it would no doubt be necessary to show many other things. But what would be the point Better to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories. 1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
为你推荐
换一换-
TC中字刘昊然/王传君/高叶/王骁/周游/杨恩又/原岛大地/王真儿/杨皓宇/
-
已完结苏有朋/居文沛/蒲巴甲/翁虹/卢奇/何政军/张光北/吴军/马以/谢润/袁文霆/
-
HD罗莎·范·露温/弗里达·伯恩哈德/爱莎·温特/马克西米利安·鲁德尼克奇/莉迪亚·萨多娃/茵蒂-罗斯·克朗恩/迪杰克林·利马/洛拉·范·佐格尔/菲恩·林登霍威斯/赫琳·泼斯特/亚诺·科隆恩/卢克·皮特斯/萨姆·达格/安娜·阿达斯卡/阿格涅斯卡·普兹波罗斯卡-米索兹/皮特·米索兹/汤姆兹·穆雷赛克/贾库布·卡瓦科奇/阿丽克斯·亚当斯/卡兹米尔·菲考/
-
HD中字Rumer/Willis/Haylie/Duff/Jonathan/Bennett/Mircea/Monroe/
-
HD中字Lou/Aziosmanoff/Jocelyn/Lagarrigue/Victor/Laforge/
-
HD国语詹怀云/魏汉鼎/石康均/蔡承恩/王裕城/袁加乐/高正倓/杨奕晨/张孝全/李千娜/洪都拉斯/杨宜蓁/黄河/张书豪/胡玮杰/
-
HD杨伊墨/李璟羿/
-
HD凡妮莎·哈金斯/亨利·戈尔丁/艾德·哈里斯/莉莉·拉贝/芬·维特洛克/杰克·迪伦·格雷泽/艾玛·哈琳/Sam/Wren/Vincent/Arden/Michalec/Jeremy/Kucharek/奥古斯特·布兰科·罗森斯坦/Stephen/Hage/Annabelle/Layland/Derek/Hughes/Matt/Roy/安德鲁·斯特克/Arianna/Jaffier/Gwen/Ruhoff/James/Craven/Sarah/Agnew/
-
HD莱蒂齐亚·托尼/Selene/Caramazza/毛里齐奥·隆巴迪/Noemi/Brando/亚历山德罗·库卡/Emanuele/Luigi/Cuomo/Andrea/Delogu/Max/Lisa/拉尔夫·帕卡/小弗洛林·皮尔斯齐/Stefano/Rossi/Giordani/安娜·罗特/克里斯蒂安·斯塔姆/
-
HD艾莉森·斯威尼/维克多·韦伯斯特/芭芭拉·尼文/
-
HD陈松勇/陈淑芳/陈素珍/文英/林义雄/林照雄/谢万益/张正涌/王德志/李国弘/
-
HD渡边谦/森山未来/松山研一/绫野刚/广濑铃/泷正则/三浦贵大/佐久本宝/高畑充希/原日出子/池胁千鹤/宫崎葵/妻夫木聪/
-
HD卡尔·格洛斯曼/艾丽西亚·希尔维斯通/凯瑟琳·科廷/Sergi/Martos/布丽特妮·欧德福特/Monica/Rae/Summers/Gonzalez/Kyle/Bary/Paul/McCallion/约翰·沃尔曼/埃斯特班·贝尼托/Mike/Rob/坦米·布兰查德/索里卡·沃尔夫/Nicole/Annunziata/Austin/Colby/
-
HD高田美和/根岸明美/五代高之/土屋嘉男/伊藤将人/
-
HD姜河那/廉惠兰/徐现宇/
-
HD维克托·波尔斯特/阿里耶·沃索尔特/奥利弗·博达特/蒂伊门·戈瓦尔茨/卡特简·达门/瓦伦提金·达恩斯/克里斯·泰斯/安吉洛·提森/艾莉西亚·德佩克/
-
HDNafissatou/Cissé/Mike/Danon/Lazarre/Minoungou/Nathalie/Vairac/Ildevert/Meda/Ruth/Werner/Abdramane/Barry/Oumou/Ba/Seydou/Diallo/Mose/Tiemtore/
-
HD沈恩敬/罗文姬/朴仁焕/李阵郁/郑振永/成东日/金秀贤/
-
HD安洁纽·艾莉丝-泰勒/乔·博恩瑟/维拉·法米加/奥德拉·麦克唐纳/南希·纳什/尼克·奥弗曼/布莱尔·安德伍德/康妮·尼尔森/芬·维特洛克/维多利亚·佩德雷蒂/贾思敏·西法斯·琼斯/唐娜·米尔斯/莱昂纳多·吴/吉塞特·瓦伦丁/约翰·汉斯·泰斯特/萨拉·纳夫拉蒂尔/伊沙·布拉克/杰西卡·芳汀/布莱恩·麦克卢尔/马修·祖克/
-
HD李劲峰/苏濛濛/骆达华/
-
HD蔡凡熙/魏蔓/辛乐儿/
-
HD伊莎贝尔·于佩尔//伊原刚志//奥古斯特·迪赫//Yuko/Hitomi//Aurore/Catala//Yusuke/Kitaguchi//Masumi/Fukushi//Keiko/Hara//Hiroko/Yûka//Shinya/Yoshinaga//Yasushi/Handa//阿部桃子//Miyo/Takayasu//Kaka/Okuro//Makoto/Sawada//Akiko/Nobukuni//Tomoe/Kida//Muraoka//Tao/Has/
-
HD中字本木雅弘/广末凉子/山崎努/吉行和子/笹野高史/余贵美子/
-
HD清水美那/奥田惠梨华/大政绚/坂本爽/河合龙之介/
-
HD文峰/李帝勋/丹尼尔·C·肯尼迪/柳海真/Bianca/Lau/Maurice/Turner/Jr./Derek/Chouinard/
-
HD国语王智/郑恕峰/
-
HD亨利·方达/马丁·鲍尔萨姆/约翰·菲德勒/李·科布/E.G.马绍尔/杰克·克卢格曼/爱德华·宾斯/杰克·沃登/约瑟夫·史威尼/埃德·贝格利/乔治·沃斯科维奇/罗伯特·韦伯/
-
HD赵赫为/露莹/邓肖爽/唐洪昌/李鸣/
-
HD麦斯·米科尔森/托玛斯·博·拉森/安妮卡·韦德科普/拉丝·弗格斯托姆/苏西·沃德/亚历山德拉·拉帕波特/布贾内·亨里克森/安妮·路易丝·哈辛/拉斯·兰特/
-
HD华金·菲尼克斯/斯嘉丽·约翰逊/艾米·亚当斯/鲁妮·玛拉/奥利维亚·王尔德/斯派克·琼斯/琳恩·A·弗里德曼/盖布·戈麦斯/克里斯·帕拉特/梅·林德斯特罗姆/比尔·哈德尔/克里斯汀·韦格/布莱恩·约翰逊/马特·莱斯切尔/普拉莫德·库马尔/史蒂夫·齐西斯/格雷茜·普瑞维特/波茜娅·道布尔戴/斯蒂芬妮·索科琳斯基/布莱恩·考克斯/里奥·巴里加亚/琼·布莱尔/塞斯·凯尔/李·克里斯蒂安/尼科·戴维/香农·爱德华兹/阿莉娅·珍妮/仁·库恩/菲奥娜·林克/卡罗尔·麦克法登/杰里米·拉布/劳拉·柯尔孔/帕梅拉·罗伊兰/
最新资讯
更多-
被网友质疑家里的爱让人窒息 王琳回怼：窒息就快点去吸氧综艺资讯昨天20:04
-
原创 黄美英澄清允儿执着于“C位”：渴望站中心位另有其人综艺资讯昨天20:04
-
“同脸不同命”？佟丽娅、董璇合体上综艺，一个大女人一个小女人综艺资讯昨天20:04
-
姐被节目组做局了？！综艺资讯昨天20:04
-
原创 艾莉西亚突围赛宣言“释放野性”：真性情投入比技术完美更重要综艺资讯前天03:03